The last cruise ship of the season came to town today, and just like that, the whole of downtown's tourist district is shuttering up and moving out. And I wondered, am I ready for the ghost town? And I ready for winter in Juneau?
Gone too are the salmon, the swarms of splashing fish that piled up beneath the dock outside my office window. At least the fishermen still come, snagging the last spawned-out chums (and bless their tenacity). But they, too, will soon be gone.
And gone are my excuses for not riding my bike in the rain, though I've lined them up like soldiers to knock down every morning I wake up to a drench of gray. Yesterday, a record 2.7 inches fell in a typhoon of horizontal drops. It doesn't sound that impressive until I compare it to Salt Lake City's numbers - where 2.7 inches just happens to be the precipitation average for the months of July, August and September combined.
I wore those numbers like a badge as I suited up this morning to go riding, only to change my mind at the last minute and get in my car to drive to the gym. I let the drizzle hitting my windshield justify my decision, until I crossed the bridge and looked groggily out toward the season's last cruise ship. Behind it, where V-shaped mountains plunge into the channel, streams of sunlight tore through breaks in the clouds, peppering the gray water with splotches of turquoise. It was surreal and beautiful and fleeting in every way, especially when I pulled into the gym parking lot and slipped into the mundane world of fluorescent lights and daytime TV.
"You have chosen poorly."
I'm not saying it's not going to happen again ... and again and again. I enjoy going to the gym and I'm a sucker for instant access to a warm shower. But I will try to remember that the worst day on a bicycle is still better than ... well ... just about anything else.
Tuesday, September 26, 2006
Monday, September 25, 2006
Soda fiend
I have a soda problem.
I know it. I admit it. And still, I'm bugged by the people who call me on it.
I was swilling my latest bucket'o'Diet Pepsi when someone (who I prefer to remain anonymous) waddled up to me and said, "Could you find a faster way to get diabetes?"
I had just seen him chow down about a pound of sweet and sour chicken with white rice, but I couldn't work up a snappy yet marginally polite comeback in time so I just mumbled, "um ... it's diet soda."
"So?" he asked.
"So it doesn't have any sugar."
He looked at me incredulously, so I added, "So it's a good way to get cancer, but not really diabetes."
Then he laughed and patted his stomach and said, "Yeah, I have to cut down myself."
I'm not sure we actually communicated at all during the exchange, but he did leave me feeling dull pangs of shame. I couldn't even enjoy the rest of my soda bucket, with those crisp flashes of ultra-sweetness followed by throat-tingling carbonation in every gulp. No, I actually dumped it out. But two hours later, I was back to craving soda all over again.
Sometimes I try to analyze why I've become such a soda fiend. I used to drink regular Pepsi and Dr. Pepper like they were the elixor of life until I realized they were probably the main reason I was carrying 20 extra pounds. So I switched to diet, and now I'm like an ex-smoker addicted to nicotine patches. In fact, I prefer diet now. I don't think it's the caffeine - I get giddy about Fresca (I mean, who wouldn't?) And I've proven to myself that it's not the sugar. So what is it? Why do I get happiness triggers firing in my synapses every time I think about stopping at a convenience store?
And what, really, do I have to gain by quitting it all? Until I figure that out, I'll probably just keep hoping they one-up that wimpy 64-ounce Super Mega Gulp.
I know it. I admit it. And still, I'm bugged by the people who call me on it.
I was swilling my latest bucket'o'Diet Pepsi when someone (who I prefer to remain anonymous) waddled up to me and said, "Could you find a faster way to get diabetes?"
I had just seen him chow down about a pound of sweet and sour chicken with white rice, but I couldn't work up a snappy yet marginally polite comeback in time so I just mumbled, "um ... it's diet soda."
"So?" he asked.
"So it doesn't have any sugar."
He looked at me incredulously, so I added, "So it's a good way to get cancer, but not really diabetes."
Then he laughed and patted his stomach and said, "Yeah, I have to cut down myself."
I'm not sure we actually communicated at all during the exchange, but he did leave me feeling dull pangs of shame. I couldn't even enjoy the rest of my soda bucket, with those crisp flashes of ultra-sweetness followed by throat-tingling carbonation in every gulp. No, I actually dumped it out. But two hours later, I was back to craving soda all over again.
Sometimes I try to analyze why I've become such a soda fiend. I used to drink regular Pepsi and Dr. Pepper like they were the elixor of life until I realized they were probably the main reason I was carrying 20 extra pounds. So I switched to diet, and now I'm like an ex-smoker addicted to nicotine patches. In fact, I prefer diet now. I don't think it's the caffeine - I get giddy about Fresca (I mean, who wouldn't?) And I've proven to myself that it's not the sugar. So what is it? Why do I get happiness triggers firing in my synapses every time I think about stopping at a convenience store?
And what, really, do I have to gain by quitting it all? Until I figure that out, I'll probably just keep hoping they one-up that wimpy 64-ounce Super Mega Gulp.
Saturday, September 23, 2006
Bluegrass 101
Date: September 22
Mileage: 25.6
September mileage: 294.2
If there's one thing Alaska will never have a shortage of, it's live bluegrass music. You can't wheel a cart down the frozen food aisle without bumping into someone who plays in some kind of bluegrass band. I personally work with more than a handful of such musicians. Tonight we went to the Island Pub for thin-crust pizza and ended up spending a couple of hours watching the stylings of a decent Juneau bluegrass band, "Bluegrass 101." Most of the musicians were inexplicably dressed like mod hipsters, dancing around the stage as they shared a single microphone. But in the back, almost lost in shadows, was the female bass player. Decked out like an extra in "Annie, Get Your Gun," she stood with quiet dignity and plucked at the strings as the whirlwind swirled around her. It made me wish I never gave up the bass.
It happened in the seventh grade - a terrible time to take up any instrument, really, let alone such a social monstrosity. But that's how things happen with me. I showed up at Orchestra 101 on the first day of school and sat in quiet confusion as they doled out all the string instruments. After a while, my bespeckled string-bean of a teacher held up a bass. Nobody volunteered. He looked pleadingly at the class, in such a way that without even saying a word, he somehow convinced me that I would be adored and showered with As if I accepted the strange challenge. I remember the decision being motivated by a misguided attempt to be a teacher's pet. But I think there were early sparks of an inherent desire to be unique. Either way, my reluctant hand crept into the air.
I didn't quite realize the gravity of my mistake until the teacher assigned everyone an hour of practice per night. He said this as I stood next to my instrument, towering a full two feet above my 5-foot, 90-pound frame. But it didn't sink in until he handed me the body-bag-sized carrying case.
In middle school, I lived literally behind my school building. It was a two-minute walk if I dawdled. But the prospect of hoisting that thing across the soccer field, past the fence and into my house filled me with the kind of terror that only 12-year-olds can appreciate. I've been trapped beneath an overturned raft in churning whitewater. I've ridden out a swirling storm at 13,000 feet in a turboprop plane. Those later experiences don't even come close to the kind of scary I was facing as I stood in the empty orchestra room and contemplated my walk home from school.
So there I was, the end of my first day in middle school, waiting and waiting and waiting in the dark room until I was certain that either the building had cleared out or the apocalypse had come. I crept into the empty hall, first dragging the bass behind me, then bear-hugging it as a waddled slowly foward. When I reached the door, I lifted it over my head with all the strength my tiny arms could muster and broke into a full-out, no-holds-barred sprint. I truly believed that by running fast enough, I would somehow become invisible. My lungs burned and biceps ached, but they were no match for the searing humiliation, the indignity of it all. I don't know that I've since run so hard, or experienced a 200-yard commute that took so long. But I made it home, wheezing, panting, sinking into the numb realization that this was what my life was going to be like every day from now on.
Well, the next day my mom put in a call to the school and came to an agreement that they would give me two basses, one to keep at home and one to play at school. That first-day bass run was the only one I ever did, but the damage was done. Any chance I ever had for musical passion had burned out in a flash of embarrassment. I was, from that day forward, the surly, scowling adolescent slumped over a string bass in the back row.
Do you ever wonder how your life would be different if one single day, one simple humiliation had somehow worked out differently? That's what I wonder sometimes about the upright bass. Maybe I wouldn't have become one of those people that obsessively rides a bicycle every day. Maybe I'd be in a band called Bluegrass 101.
It almost seems strange that I'll never know.
Mileage: 25.6
September mileage: 294.2
If there's one thing Alaska will never have a shortage of, it's live bluegrass music. You can't wheel a cart down the frozen food aisle without bumping into someone who plays in some kind of bluegrass band. I personally work with more than a handful of such musicians. Tonight we went to the Island Pub for thin-crust pizza and ended up spending a couple of hours watching the stylings of a decent Juneau bluegrass band, "Bluegrass 101." Most of the musicians were inexplicably dressed like mod hipsters, dancing around the stage as they shared a single microphone. But in the back, almost lost in shadows, was the female bass player. Decked out like an extra in "Annie, Get Your Gun," she stood with quiet dignity and plucked at the strings as the whirlwind swirled around her. It made me wish I never gave up the bass.
It happened in the seventh grade - a terrible time to take up any instrument, really, let alone such a social monstrosity. But that's how things happen with me. I showed up at Orchestra 101 on the first day of school and sat in quiet confusion as they doled out all the string instruments. After a while, my bespeckled string-bean of a teacher held up a bass. Nobody volunteered. He looked pleadingly at the class, in such a way that without even saying a word, he somehow convinced me that I would be adored and showered with As if I accepted the strange challenge. I remember the decision being motivated by a misguided attempt to be a teacher's pet. But I think there were early sparks of an inherent desire to be unique. Either way, my reluctant hand crept into the air.
I didn't quite realize the gravity of my mistake until the teacher assigned everyone an hour of practice per night. He said this as I stood next to my instrument, towering a full two feet above my 5-foot, 90-pound frame. But it didn't sink in until he handed me the body-bag-sized carrying case.
In middle school, I lived literally behind my school building. It was a two-minute walk if I dawdled. But the prospect of hoisting that thing across the soccer field, past the fence and into my house filled me with the kind of terror that only 12-year-olds can appreciate. I've been trapped beneath an overturned raft in churning whitewater. I've ridden out a swirling storm at 13,000 feet in a turboprop plane. Those later experiences don't even come close to the kind of scary I was facing as I stood in the empty orchestra room and contemplated my walk home from school.
So there I was, the end of my first day in middle school, waiting and waiting and waiting in the dark room until I was certain that either the building had cleared out or the apocalypse had come. I crept into the empty hall, first dragging the bass behind me, then bear-hugging it as a waddled slowly foward. When I reached the door, I lifted it over my head with all the strength my tiny arms could muster and broke into a full-out, no-holds-barred sprint. I truly believed that by running fast enough, I would somehow become invisible. My lungs burned and biceps ached, but they were no match for the searing humiliation, the indignity of it all. I don't know that I've since run so hard, or experienced a 200-yard commute that took so long. But I made it home, wheezing, panting, sinking into the numb realization that this was what my life was going to be like every day from now on.
Well, the next day my mom put in a call to the school and came to an agreement that they would give me two basses, one to keep at home and one to play at school. That first-day bass run was the only one I ever did, but the damage was done. Any chance I ever had for musical passion had burned out in a flash of embarrassment. I was, from that day forward, the surly, scowling adolescent slumped over a string bass in the back row.
Do you ever wonder how your life would be different if one single day, one simple humiliation had somehow worked out differently? That's what I wonder sometimes about the upright bass. Maybe I wouldn't have become one of those people that obsessively rides a bicycle every day. Maybe I'd be in a band called Bluegrass 101.
It almost seems strange that I'll never know.
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