One of my most vivid memories of the office where I worked in Juneau is actually a memory of a memory. I was walking across the parking lot amid the eerie emptiness of 2 a.m. The wind was howling as streaks of rain tore through a yellow beam of light. I looked toward the light's source — a street lamp — and lapsed into an evocative flashback of the golden moon rising over the Susitna Valley. A sense of peace surged through my blood. "If everyone could experience the Susitna 100, we'd all be so much happier," I thought, smiling knowingly at my unlikely discovery some months earlier — the powerful joy that lies just beyond the threshold of fear and exhaustion. Of course, I hadn't actually discovered a sweeping cure for the ills of the modern first world. I'd only discovered an esoteric quirk within myself, one that meant I'd never again fit in outside the community of weirdoes who feel compelled to ride bikes a hundred miles across frozen wilderness.
My main complaint, unsurprisingly, was my legs. They hurt. In some ways it felt as though they never recovered from my March races. Instead, my frayed hamstrings had remained in stasis, unused for nine whole months until the snow and sled forced them back to work. "This does not bode well for Nome 2020," I thought. The trek to Nome is actually something I'd started to think about again, only because I was feeling so good otherwise. I was breathing well, and even the hardest pulls up steep hills didn't leave me gasping. My blood remained rich with oxygen, which meant I didn't become a brain-dead zombie. I could do a lot of thinking out here. I don't know if that was a good thing.
On this day we had 20 miles to travel between Caribou Bluff and Eleazar's cabin. The first 10 miles followed the punchy track we'd traveled on the first day. Then there were nine miles on a well-traveled trail that we knew would zip by, and the final mile was on a steep pitch that gains 600 feet. This climb has taken me as much as an hour to ascend in the past (soft snow, tired legs ... actually, that was the effort I usually blame for ruining my legs whenever my legs hurt — the infamous cabin trip of March 18, 2018.) So this wouldn't be an easy day, but at least everything was known.
The late morning hours were cool and gray, and wading the punchy track with sore legs became tedious. We'd removed our snowshoes prematurely — the hope for hardened trail springs eternal — and I was still breaking through to my knees in places. Past experience should have taught me by now that it is *always* better to wear snowshoes in soft conditions — the same as the universal fat bike mantra, "when it doubt, let air out." But that doesn't change the fact that snowshoes hurt my feet, and I will probably forever be stubborn about it.
Instead I let the physical frustration build and distracted my mind with memories and songs. "Life on Earth" by Snow Patrol:
All this ancient wildness,
That we don't understand.
The first sound of a heartbeat.
To riots roaring on.
As we commenced the long climb out of the Beaver Creek valley, Beat pointed out strips of pink light stretched across the hills.
It had been a mere seven days since we left Colorado, our home that famously receives an overabundance of sunlight, so we're hardly deprived. And I consider myself the opposite of a sun-worshiper. I fear the sun, in the way only fellow fair-skinned white people can understand, and hide from it all summer long with SPF 50 and arm sleeves and long pants. But on this day, even that tiny dose of low, heatless sunlight felt like an enormous burst of energy. I was completely revitalized. Even my legs seemed to hurt less.
Flurries of snow filled the air, sparkling like stars against the dark clouds overhead. It was absolutely, breathtakingly beautiful. These photos are of course a great disappointment to me, as they always are, as they can never capture the heat and energy surging through my body, the sweet metallic taste of the subzero air, the pink light so rich and incandescent it seemed as though the entire frozen landscape was ablaze. It's a strange paradox, visiting the land of darkness and ice to experience the heights of lightness and warmth, but this has long been my truth.
This is life on Earth ... an Earth undergoing such rapid change that even my meager human lifespan can't keep up. One of my greatest fears is that I'll live long enough to witness the end of such beauty. But I know, I know. Despair is the province of cowards. I can choose to not be afraid. Because I shouldn't fear the future. Everything changes drastically, given a long enough timeline. Beauty goes on. Light goes on. What was it that Camus wrote … “I know simply that the sky will last longer than I.”
“The struggle itself towards the heights is enough to fill a man's heart. One must imagine Sisyphus happy.”
I still find myself returning to this place, which for me will probably always be the Susitna River Valley in February 2006. The convergence of power and frailty, of exhilaration and anguish. The beginning. A person can experience such an awakening only once. That we might spend the rest of our lives chasing the intensity of a revelatory first, only to find it slipping farther into the past ... is that just sad? Like Cartoon Sisyphus?
"Rise and grind! Remember the universe rewards those who don't give up!"
Maybe this is why I feel stalled out with my endurance endeavors right now — everything feels like an exercise in futility, and yet the struggle towards the heights does fill my heart. I haven’t found a similar depth of intensity or emotion in any other medium. I still want to pursue these experiences, but I feel like my body isn’t going to cooperate. I can’t predict performance anymore, and I can’t simply train away my inadequacies. Is there a way to hold onto motivation amid the uncertainty? Is there any chance of success? As long as I believe my successes are just a random occurrence of good luck on a curve I can’t control, then what am I even pursuing?
One Camus quote lingered: “From the moment absurdity is recognized, it becomes a passion, the most harrowing of all. But whether or not one can live with one's passions, whether or not one can accept their law, which is to burn the heart they simultaneously exalt — that is the whole question.”
Then there’s Cartoon Sisyphus and his Instagram page … struggling without hope of success, and yet eternally excited about rolling a rock up a mountain. He accepts that there is nothing more to life than an absurd struggle, and finds joy in this.
The sun continued to creep beneath a break in the clouds along the southern horizon — the thinnest sliver of clearing was all it took to cast its glorious light across the land all of the live-long day.
It had the coolest effect — bold, almost primary colors painted within perfectly defined lines. The land looked like a piece of pop art, purposefully designed for the order-seeking human eye.
As we turned to climb the hill toward Eleazars, I realized I hadn't felt a hint of leg pain since the sun came out. All is perception, truly. I managed to roll my rock ... er, drag my sled ... up the climb without too much exertion. This cabin did not have much firewood left behind, so we used the remaining minutes of daylight to hike a short distance down to a burned area. Interior Alaska's spindly spruce with their shallow roots are the perfect kind of tree to just wrap one's arms around and pull out of the ground, no chainsaws needed. It's great fun, tearing down dead trees with your bare hands. Dragging them up the hill, however, is quite a bit more work. I noted with some pride that my shoulder lifts at the gym have been helpful, although my muscles did eventually fail and I dropped a big pile shortly before reaching the cabin. Beat went to work sawing the trunks into logs and chopping the logs into firewood while I gathered snow for drinking water.
That kind of backbreaking labor is deeply satisfying, probably for the same primal reasons that leave us more content in motion than we are at rest. The cycle of expending life to sustain life. Maybe this is ... all there is.
Camus wrote, "You explain this world to me with an image. I realize then that you have been reduced to poetry: I shall never know ... So that science that was to teach me everything ends up in a hypothesis, that lucidity founders in metaphor, that uncertainty is resolved in a work of art. What need had I of so many efforts? The soft lines of these hills and the hand of evening on this troubled heart teach me much more. I have returned to my beginning."